Dreamlander Review
Review: Dreamlander by K. M. Weiland
It’s not that frequent that I reach the conclusion of a book and want to slap the author for not finishing it the way I want to. When it does, though, I have to recognize that they’ve achieved one of the highest goals that any author strives for: engagement.
It took me a lot longer to read K. M. Weiland’s Dreamlander than I would normally take. Perhaps it was because it’s the first time I’ve read a novel of this length on an e-Reader; perhaps it was the personal issues that I was going through during the time I was reading or perhaps it was the time taken to connect minds with a new author – whatever it was, it took me some time to really get into the novel, but the persistence was worth it.
Dreamlander is based on an intriguing concept that I’ve found myself wondering at times also: What if our dreams are actually occurring in another world, or parallel universe and our consciousness slips back and forth between the two as we wake and sleep? This isn’t Inception in book form, this is a thought that, when I fall asleep, a completely different character wakes up in another world. When we’re born, we’re born in two places: Earth and this secondary world of Lael, connected by our spirit and witnessing what our other self does in dreams.
One thing I found myself wondering was how to make that work logistically with my sleep patterns.
Weiland adds to this by creating a hero: Every so often, one person, a “Gifted” will actually travel between the worlds. Their consciousness from Earth will wake up in Lael, allowing them to, essentially, ‘walk between the worlds.’
Enter Chris Redston: Writer, cynic, skeptic and – frankly – whiny, annoying little brat.
Seriously, this might be the other reason why I took so long to actually get through this novel, because almost every time Chris does something I want to slap him, too. Which is why I was surprised that, by the end of the novel, I was so engrossed in the tale and so passionate about seeing things wind up how I wanted them to end. To do that, you have to care about the characters, you have to love them – and somehow Chris managed to endear himself enough to me by the end of the story that I actually cared what happened to him.
This is obviously thanks to some talented writing by Weiland. It’s not easy to make an anti-hero like Chris loveable to the reader – especially when so much of his time is spent trying to convince himself that it’s not real, or that he’s not good enough, or that he can’t succeed. Instead of being the hero that we all wish we could be, Chris Redston is the hero we’d probably turn out to be: Doubtful, insecure and completely lacking in anything resembling confidence.
The story itself is one, like so many in the Fantasy and Science Fiction genres, where the fate of the world is in the balance. There are times where the setting and the ‘almost-apocalypse’ events actually get in the way of things, causing some detachment. I found myself needing to just step back from things a few times, especially throughout the climax – which seemed to go on and on. And on. And on. When you’re riding the crest of a wave for that long, the actual breaking point ends up feeling more like a reprieve than a climax, and this is pretty much what happened with me.
Again, maybe this has something to do with the e-Reader against a real book. I didn’t have the same knowledge of the end coming because with a book, you feel those pages under your right thumb getting lower and lower, whereas there’s nothing with an e-Reader, but what I found was that the last few chapters were just this cacophony of excitement. It was a little overwhelming to try and deal with so much happening, and no time for me, as the reader, to breathe.
Nonetheless, Dreamlander is a story that succeeds in what I consider to be the important aspects of writing: It engages the audience, it contains relatable (if sometimes frustrating) characters, and it makes you think beyond just the words you’re reading. At the end of the day, I enjoyed it – and that’s probably the most important thing of all.
Reviewed: Jonnday ~ One Type of Falling (Film Clip)
Some people reading this would know that after Youth Alive Tasmania brought them down to play at a rally last year, I became a bit of a fan of an Australian group called Jonnday. Their single, ‘One Type of Falling’ has been available as a free download at their website when you sign up to their mailing list.
And hey, anything free is worth it, right?
Well, maybe not anything – but this certainly is.
Anyway, today, Jonnday release the ‘One Type of Falling’ film clip, and I was fortunate enough to be granted a sneak preview ahead of schedule.
And what a privilege it was. I’ve just finished watching it a few hours ahead of the public release. This film clip stands out far above what you’d expect from a Christian band hailing from the Central Coast of New South Wales.
I don’t want to give too much away, because I’d hate to spoil the surprise for everyone else. So I’m refraining from giving away much in the way of details.
What I will say is that there is a level of surrealism to the whole clip that lends itself to something far more epic than I expected. To be honest, my expectations weren’t overly high, not out of a lack of faith or low opinion of the group by any means. I was waiting for one of these more standard ‘first effort’ clips with lots of footage from live performances, things like that.
Certainly not something that seems like it could come out of some Hollywood fantasy film.
The quality of this video is brilliant. I loved the costumes and can just imagine that Jonnday would have had a lot of fun actually making this clip. It rings reminiscent of The Secret Garden or Alice in Wonderland – in my mind, anyway.
Great work, high standard, and just so entertaining. I’m off to watch it again!
Keep an eye out later this afternoon and view the clip for yourself at Jonnday’s Youtube channel!
While Your Lips Are Still Red
Nightwish ~ While Your Lips Are Still Red
Sweet little words meant for silence not talk
Young heart for love, not heartache
Dark hair full, catching the wind
Not to veil the sight of a cold world
Kiss, while your lips are still red
While he’s still silent, rest
While bosom is still untouched, unveiled
Hold another hand, while the hand’s still without a tool
Drown into eyes while they’re still blind
Love while night still hides the withering dawn
First day of love never comes back
A passionate hour’s never a wasted one
The violin, the poet’s hand
Every thawing heart plays your theme with care
Kiss, while your lips are still red
While he’s still silent rest
While bosom is still untouched, unveiled
Hold another hand, while the hand’s still without a tool
Drown into eyes while they’re still blind
Love while night still hides the withering dawn
I absolutely adore this song. It’s powerful, and has a really great feeling behind it. It’s about, to me at least, the fading away of that ‘honeymoon’ phase of a relationship. We meet someone, we fall in love, we live in this anticipation, and then excitement when the relationship really flourishes.
But eventually that all fades away, it’s a reality. Some people hold on to that passion longer than others, but for everyone, it’s going to disappear at some point or another. So enjoy it: Kiss while your lips are still red, drown into eyes while they’re still blind, love while night still hides the withering dawn. Eventually, yes, reality will set in, and that shouldn’t be the end of something. True love wakes the next morning and faces the dawn together, the reality that comes with light being shed onto the situation and the people involved.
And it doesn’t just go for relationships. Almost everything new has a honeymoon phase that then begins to fade away.
We should enjoy things more. Really hold on to those moments that give us passion, really grasp those things that make life exciting.

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